D
I walk past the bleak halls of an architect's G
un-imagiD
nation
D
Returning to the venue where we had that very G
first converD
sation
D
To see you again, to be your friend, to G
hold you in my D
mind
D
And I arrived there early and as always you G
swanned in much D
later
D
As if nothing had ever changed, you nod at me and G
order your double D
mixer
D
To see you again, to be your friend, to G
hold you in my D
mind
D
Leaving it up, leaving it up, leaving it up
G
Leaving it up to you
D
Leaving it up, leaving it up, leaving it up
G
Leaving it up to you
D
And I've been told your new playmate's successful and he's G
handsome and he's D
charming
D
It's a damn good job he isn't here or I may have wound up G
harming your D
darling
D
To see you again, to be your friend, to G
hold you in my D
mind
D
Leaving it up, leaving it up, leaving it up
G
Leaving it up to you
D
Leaving it up, leaving it up, leaving it up
G
Leaving it up to you
D
We laughing and we joking like we always, G
always D
used to
D
To be rudely interrupted by your half-wit of a G
boyfriend who tries to D
call you
D
To see you again, to be your friende
, to hold youG
in his mindD
D
Leaving it up, leaving it up, leaving it up
G
Leaving it up to you
D
Leaving it up, leaving it up, leaving it up
G
Leaving it up to you