Famous Blue Raincoat Leonard Cohen
Instrument:
Gitara
Trudność:
Początkujący
Trudność:
It's four in the morning, the end of December a F
I'm writing You now just to see if You're better d e
New York is cold, but I like where I'm living a F
There's music on Clinton street all through the evening d E
I heard that you're building Your little house deep in the desert a h a h
You're living for nothing now a G
I hope you're keeping some kind of recalls a G E
Yes, and Jane came by with a lock of Your hair C G
She said that You gave it to her a
That night that you planned to go clear h G
Did You ever go clear? F E
On the last time we saw You, You looked so much older
Your famous blue raincoat was torn at the shoulder
You'd been to the station to meet every train
You came home without Lili Marlene
You treaded my women to a flake of your live
And when she came back she was nobody's wife
Well; I see you there with a rose in your teeth
One more thin gypsy thief
Well I see Jane's awake
She sends her regards
And what can I tell You my brother, my killer
What can I possibly say
I guess that I miss You, I guess I forgive You
I'm glad You stood in my way
If You ever come by here, for Jane or for me
Well; Your enemy is sleeping and his woman is free
Yes, and thanks for the trouble You took from her eyes
I thought it was there for good so I never tried
And Jane came by with a lock of Your hair
She said that You gave it to her
That night that you planned to go clear
Sincerely L. Cohen.
{Intro}
Am F Dm Em
Am F Dm Em
{Zwrotka 1}
Am F
It's four in the morning, the end of December
Dm Em
I'm writing you now just to see if you're better
Am F
New York is cold, but I like where I'm living
Dm Em
There's music on Clinton Street all through the evening
Am Bm Am Bm
I hear that you're building your little house deep in the desert
Am G Am G
You're living for nothing now, I hope you're keeping some kind of record
{Refren 1}
C G
Yes, and Jane came by with a lock of your hair
G Am Bm G
She said that you gave it to her that night that you planned to go clear
F Em
Did you ever go clear?
{Zwrotka 2}
Am F
Ah, the last time we saw you, you looked so much older
Dm Em
Your famous blue raincoat was torn at the shoulder
Am F
You'd been to the station to meet every train
Dm Em
And you came home without Lili Marlene
Am Bm Am Bm
And you treated my woman to a flake of your life
Am G Am G
And when she came back, she was nobody's wife
{Refren 2}
C G
Well, I see you there with the rose in your teeth
Am Bm G
One more thin gypsy thief, well, I see Jane's awake
F Em
She sends her regards
{Zwrotka 3}
Am F
And what can I tell you my brother, my killer?
Dm Em
What can I possibly say?
Am F
I guess that I miss you, I guess I forgive you
Dm Em
I'm glad you stood in my way
Am Bm Am Bm
If you ever come by here, for Jane or for me
Am G Am G
Well, your enemy is sleeping, and his woman is free
{Refren 3}
C G
Yes, and thanks for the trouble you took from her eyes
Am Bm G
I thought it was there for good, so I never tried
C G
And Jane came by with a lock of your hair
G Am Bm G
She said that you gave it to her that night that you planned to go clear
F Em
Sincerely, L. Cohen
{Outro}
Am F Dm Em
Intro
Zwrotka 1
It's
I'm
There's
Refren 1
Yes, and
She
Zwrotka 2
Ah, the
Your
You'd
And
And you
Refren 2
Well, I
One more thin gypsy
Zwrotka 3
And
I
I'm
Refren 3
Yes, and
I thought it was
And
She
Outro
a
F
d
e
a
F
d
e
Zwrotka 1
It's
a
four in the morning, the F
end of DecemberI'm
d
writing you now just to e
see if you're bettera
New York is cold, but I F
like where I'm livingThere's
d
music on Clinton Street e
all through the eveninga
I hear that you're b
building your little a
house deep in the b
deserta
You're living for G
nothing now, I hope you're a
keeping some kind of G
recordRefren 1
Yes, and
C
Jane came by with a lock of your G
hairShe
G
said that you gave it to a
her that night that you planned to go b
clear G
F
Did you ever go e
clear?Zwrotka 2
Ah, the
a
last time we saw you, you F
looked so much olderYour
d
famous blue raincoat was e
torn at the shoulderYou'd
a
been to the station to F
meet every trainAnd
d
you came home without e
Lili MarleneAnd you
a
treated my b
woman to a a
flake of your b
lifea
And when she came G
backa
, she was nobody's G
wifeRefren 2
Well, I
C
see you there with the rose in your G
teethOne more thin gypsy
a
thief, well, I see Jane's ab
wake G
F
She sends her ree
gardsZwrotka 3
And
a
what can I tell you my F
brother, my killer?d
What can I possibly e
say?I
a
guess that I miss you, I F
guess I forgive youI'm
d
glad you stood in my e
waya
If you ever come b
by herea
, for Jane or for b
mea
Well, your enemy is G
sleepinga
, and his woman is G
freeRefren 3
Yes, and
C
thanks for the trouble you G
took from her eyesI thought it was
a
there for good, so I never b
tried G
And
C
Jane came by with a lock of your G
hairShe
G
said that you gave it to a
her that night that you planned to go b
clear G
F
Sincerely, L. e
CohenOutro
a
F
d
e
It's four in the morning, the end of December
I'm writing You now just to see if You're better
New York is cold, but I like where I'm living
There's music on Clinton street all through the evening
I heard that you're building Your little house deep in the desert
You're living for nothing now
I hope you're keeping some kind of recalls
Yes, and Jane came by with a lock of Your hair
She said that You gave it to her
That night that you planned to go clear
Did You ever go clear?
On the last time we saw You, You looked so much older
Your famous blue raincoat was torn at the shoulder
You'd been to the station to meet every train
You came home without Lili Marlene
You treaded my women to a flake of your live
And when she came back she was nobody's wife
Well; I see you there with a rose in your teeth
One more thin gypsy thief
Well I see Jane's awake
She sends her regards
And what can I tell You my brother, my killer
What can I possibly say
I guess that I miss You, I guess I forgive You
I'm glad You stood in my way
If You ever come by here, for Jane or for me
Well; Your enemy is sleeping and his woman is free
Yes, and thanks for the trouble You took from her eyes
I thought it was there for good so I never tried
And Jane came by with a lock of Your hair
She said that You gave it to her
That night that you planned to go clear
Sincerely L. Cohen.
a
F
I'm writing You now just to see if You're better
d
e
New York is cold, but I like where I'm living
a
F
There's music on Clinton street all through the evening
d
E
I heard that you're building Your little house deep in the desert
a
h
a
h
You're living for nothing now
a
G
I hope you're keeping some kind of recalls
a
G
E
Yes, and Jane came by with a lock of Your hair
C
G
She said that You gave it to her
a
That night that you planned to go clear
h
G
Did You ever go clear?
F
E
On the last time we saw You, You looked so much older
Your famous blue raincoat was torn at the shoulder
You'd been to the station to meet every train
You came home without Lili Marlene
You treaded my women to a flake of your live
And when she came back she was nobody's wife
Well; I see you there with a rose in your teeth
One more thin gypsy thief
Well I see Jane's awake
She sends her regards
And what can I tell You my brother, my killer
What can I possibly say
I guess that I miss You, I guess I forgive You
I'm glad You stood in my way
If You ever come by here, for Jane or for me
Well; Your enemy is sleeping and his woman is free
Yes, and thanks for the trouble You took from her eyes
I thought it was there for good so I never tried
And Jane came by with a lock of Your hair
She said that You gave it to her
That night that you planned to go clear
Sincerely L. Cohen.
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głosował za zatwierdzeniem 70 punktami 5 lat temu
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głosował za zatwierdzeniem 70 punktami 5 lat temu
głosował za zatwierdzeniem 70 punktami 5 lat temu
d , d7 jest różnica, podobnie
e , e7, wiesz o co chodzi, dobrze by było poprawić. 5 lat temu
Odrzucam, abyś poprawiła. 5 lat temu